Max Nowaz Author of Get Rich or Get Lucky

If you take Mishra’s Workshop pack one, pick one, but then don’t see any spheres, it’s better to audible into an alternative strategy than try to play a shops deck that is missing key components. It’s important to remember that though you only get twenty picks, you only need roughly ten non-land cards to construct your deck. Many matches are won and lost in the draft, not in the games themselves. They also open up more creative deckbuilding and sideboarding options, as players who have prioritized fixing have the opportunity to splash for spells in different colors to shore up bad matchups.
Cards like Lotus Petal, Dark Ritual, and Simian Spirit Guide enable combo decks to effectively win on turn one. In defiance of some people’s assumptions, combo decks in the Degenerate Micro Cube take many forms — drafting them does not feel the least bit “on rails”. But what if there was a way to draft decks that play like constructed Vintage decks?
Some players lacking recursion have opted to go above the minimum deck size to delay running out of cards, trading consistency for a deeper late-game. I have omitted these cards because they provide a win-condition for blue-based control decks that is exceedingly hard to interact with. However, when it became clear that the cube had depth and real, non-meme potential, I decided to exclude cards that would be played in every deck and provide a sizable advantage at no real cost. One match in an early draft was decided with two spells cast total between the two players (Flash both times, once in each game).
Lucky Hunter is an auto-battle roguelite deckbuilder developed by solo indie team 159 Studio and published by indienova. And of course, I want to formally acknowledge Corey Murphy and Max Hero for the original cube that directly inspired the Degenerate Micro Cube. Their criticism and feedback made the cube better and, I hope, made me a better designer. The Degenerate Micro Cube would not be what it is today without the playtesting and input of my friends, whose enthusiasm kept me going during the long, tedious, and ongoing months of the COVID-19 lockdown.
To put it another way, in constructed formats, the power of storm decks is partially in the explosive card advantage they can generate. The line from your draft and gameplay decisions to the outcome of the game is short — all your choices really matter and you can feel it. The social aspect of in-person games that paper Magic offers has always been important to me, but digital Magic is better than no Magic, so my Cube drafts moved from in-person to online.
In a typical limited match between two 40 card decks, even if your deck is considerably worse than your opponent’s, you can still steal a win with a bit of luck. The consistency in gameplay imparted by the small minimum deck size imbues the draft with extra importance. Fast mana is a strategic choice to speed up certain combos and interaction when necessary, but some decks would rather keep their threat and answer densities high than play a turn or two ahead of curve. With only 15 cards in your deck, each slot that’s not occupied by a win condition or piece of disruption must be carefully considered.

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For just two cards and four generic mana, which can be paid in installments over two turns, you can take infinite turns and win easily. While it was a controversial decision at the time, even some of the players that were opposed to cutting it have since conceded that it is not missed. Second, and more importantly, Shelldock proved one of the most polarizing cards in the cube. Shelldock Isle — Shelldock Isle was in the cube for a long time, from the first iteration through months of playtesting. Counterspells and discard spells are useful against many cards and are excellent maindeck inclusions, but the 5-10 land removal spells needed to keep Karakas and Maze of Ith in check would mostly clog up sideboards.
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• However, because other aspects of the game are unchanged, like starting hand size, decks in the Degenerate Micro Cube are more consistent than a 60-card deck with playsets of each card would be.
• It’s more like Dark Ritual on steroids, which has more play to it than a Mox or Crypt, which is basically just an upgraded land.
• It’s seriously engaging watching it all play out, images alone won’t sell how good it feels to kill an enemy in one turn with thousands of HP.
• They also open up more creative deckbuilding and sideboarding options, as players who have prioritized fixing have the opportunity to splash for spells in different colors to shore up bad matchups.
• In addition to being a card I loathe, Veil is strictly a sideboard card.
• The staff from Entertainment Weekly placed it at number 10 on their ranking of Spears’s songs and said that “given everything we know about Spears’ past decade, it’s hard not to hear ‘Lucky’ as a haunting premonition packaged in fairy dust”.

That said, the same complexity that makes the cube inhospitable to some is its greatest appeal to others. With greater consistency comes greater control, and greater control rewards skillful, careful play. They choose their line based on limited information, and play towards a range of potential outcomes. Marit Lage can’t kill you if it’s forced to chump block a Blightsteel Colossus on two consecutive turns.

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Moreover, with the rules change that you no longer lose the game when drawing from an empty library, the inherent risk of these win-conditions is eliminated. Timetwister or Yawgmoth’s Will are powerful because they draw you tons of cards, and with all your mana-positive spells, you can actually use all of them, often in the same turn. Even the best storm decks we crafted were glass cannons that scooped to a counterspell or, if on the draw, a turn one Thoughtseize. Successful combos in the Degenerate Micro Cube are extremely compact, which means the rest of your deck can be any combination of your own disruption, fast mana, or recursion.
They considered the song Spears’ version of “Where Did It All Go Wrong?” by English rock band Oasis, and went to describe it as “a heart-rending tale of life at the top of the teen pop tree, transformed into an anthem for dramatic, moody 12-year-old girls everywhere by Max Martin’s scary talent for teenybop lyrics”. After meeting with Max Martin and Rami Yacoub in Sweden, Spears recorded several songs for the album, including “Lucky”, which was co-written and co-produced by Martin and Rami, with additional co-writing from Alexander Kronlund. In the United Kingdom, the song peaked at number five, and is Spears’s tenth best-selling single in the country, having sold over 225,000 copies.

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At any given time I have a number of speculative cube lists, but I had no plans to build the Degenerate Micro Cube in paper and never expected to actually draft it. I find this leads to polarizing gameplay, where the result is determined more by luck rather than careful play from both players. The resulting decks are very powerful and have many sideboard options, but both features are on theme for the cube. Removing mill as a win condition actually brings this environment more in line with typical Magic, as decks are forced to win on more recognizable axes.
Your deck/inventory consists of pieces, which are scattered around a grid at the start of every turn. Well, by throwing enough soldiers, ninjas, slimes, alchemists, and hackers, of course! As with other roguelite deckbuilders, you’ll be travelling along a map, choosing which path to take to the end, fighting off increasingly tougher encounters and improving your deck bit by bit. There is some backstory if you check the Hunter Record and give the villagers items, but you don’t have to engage with it and it’s not really important in the long run. You play as a hunter who goes out on a quest for his village to kill the Demon Lord that’s eroding the land, while also bringing back resources to provide for your home. So, let’s see if I’m lucky enough to review this or if this is just a slog.

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It would provide redundancy for Lion’s Eye Diamond in Bomberman combo, and Lotus does actually cost you a card. In truth, I have come quite close to playing just Black Lotus and may still do so in the future. In truth, if the cube had played out how I anticipated it would, I probably would have YOLO’d them in just for the hell of it. Given the global pandemic, I don’t know when I will ever be able to draft it in person, but even if it’s not for years, I am grateful to have it as a token of all the work that I put into this project over the past nine months. Similarly, Channel, Sol Ring, and Time Walk, other cards I was initially afraid would be overpowered, turned out to be perfectly fine.
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With only twenty picks in the draft, I want them all to have strategic signifigance, and slamming a Lotus or Mox Sapphire is a no-brainer. I actually think Lotus, Crypt, and all five Moxen could safely be added to the cube without disrupting things much. You said this was supposed to be degenerate, so why not just play Black Lotus, Mana Crypt, and the true Moxen? Instead, Ancestral Recall, a card I assumed too powerful, is actually just right. I was initially skeptical that Goblin Welder was good enough, until it was proven to be a unique combination of toolbox, inevitability, and creature cheat that is potent if drafted properly.

• Conspiracies and silver border cards have been excluded, even though some of them are strong enough to warrant inclusion on the basis of power level.
• However, more likely still isn’t very likely — in our many hundreds of playtest games we had four draws, two due to Ensnaring Bridge and two due to a locked up board where neither player could profitably attack.
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• Moreover, with the rules change that you no longer lose the game when drawing from an empty library, the inherent risk of these win-conditions is eliminated.
• I don’t like the idea of such wildly variable cards, whose variance is largely out of the control of the caster.

This environment, more than any other I’ve played, rewards familiarity with the list and knowledge of how the cards interact with one another. Games between decks drafted from the Degenerate Micro Cube are a uniquely brain-bending experience. Many people’s first inclinations are to build “the counterspell deck” or “the discard deck”, but counterspells line up poorly against fairer decks, like hate bears, and discard spells can’t stop a topdecking opponent.
Late picks in a traditional cube are often useless, but in the Degenerate Micro Cube, every pick matters because cards can be easily sideboarded. Whereas sideboarding in a more typical, 40 card cube deck is more about making marginal improvements, your post sideboard deck in the Degenerate Micro Cube may employ an entirely new strategy. What’s more, you’ll see a given sideboard card in your opening hand in almost half your games. When playing against a discard heavy opponent, it may be best to mulligan to a “bad” hand that doesn’t contain your most important spells. This complexity makes the Degenerate Micro Cube less approachable and a hard sell to anyone but fairly enfranchised Magic players, and I consider it one of the cube’s biggest weaknesses.
If you do have a narrow removal spell for your opponent’s Shelldock, their win condition is now stranded in exile. First, discard spells are dead against it, as you can’t discard the Shelldock itself, and the target is plucked from your opponent’s library and never in their hand to begin with. Topdeck manipulation in the form of Brainstorm, Sensei’s Divining Top, or Sphinx of Foresight was key to making it work reliably.
Discussion of potential cards and archetypes was near constant, and we drafted the cube every weekend for months. I was fascinated by the novel constraints, radical recontextualization of cards and effects, and the idea of playing Magic with dramatically increased consistency. Not including all of the cards in a given draft risks splitting up combos, potentially torpedoing someone’s draft by pure chance. While I don’t think the draft format is ideal, it hasn’t kept us from having fun with the cube and drafting functional decks. The draft, which consists of 2 packs of 10 cards, is the aspect of the cube I am least happy with.

When the stars align, game-winning combos are usually too much for opponents playing a fair deck to handle, but in most games, you’re playing a compromised deck in order to support a combo that you won’t often draw. One might expect they would be less complicated than games between typical cube decks, as each has fewer unique cards and therefore fewer possible opening lines, threats, and answers. As demonstrated in the “cheat matrix” at the beginning of this article, all of the creature cheat combo decks have a swath of overlapping cards, so “supporting” Sneak Attack or Show and Tell is just a matter of adding them to the cube. I don’t think any lucky max cards in existence are too powerful for the cube in the sense that they would be overly dominant, result in unbalanced win-percentages, or push other decks out of viability.